BIOENERGETICS AND THEATRE
Conference Livia Jealous
Monday, January 19, 2009, at 20
the headquarters of the SIAB, No. 128 Via Magna Grecia, Rome
The idea of \u200b\u200bexploring points of contact and potential synergies between the ' Bioenergetic Analysis and the preparation actor born in 1997, the experience of analysis with some people involved in training and profession mainstreaming. Until that time I expressed my passion for the theater just as a spectator and reader, from the audience, then. Go behind the scenes and on the side of the stage, has revealed to me a world of research, first of all staff, which I did not hesitate to recognize as completely integrated with the bioenergetic work, as I was, in fact, suggested by people belonging to that world, who were in analysis with me.
My experience of integration with the theater Bioenergetic Analysis has developed and continues to grow since then, through seminars conducted by me along with people trained in the theater, then through the experience of a continuous group of three years, through the use of individual therapies in the synthesis of insights from the ongoing analysis of Bioenergetics and theatrical techniques, by organizing public lectures and the composition of texts.
The conference is dedicated to sharing some ideas significant experience past and present, and focus on the centrality of that, today, the concept of "narrative" as a way that unifies the fundamental existential knowledge and life, mind and body. The aim of the conference is to show that being in the grounding, back again to our natural environment and relational, and tell us back again to the small and grand narratives in which we are immersed / e, are the two sides of the same reality and belong to our essence .
The conference will present the new STAGE OF BIOENERGETICS AND THEATRE:
"Stories of Self Body" lead Livia Jealous and Serena Fraser
Stage is held on 14 and 15 March 2009 from 10 to 18, in the study Metis via Etruria No. 44 Rome, with up to 10 people. Cost € 150. Registration by February 20. Information and registration: Monday and Thursday morning 06.5040035/06.70454446 livia.geloso @ virgilio.it - \u200b\u200bliviageloso.blogspot.com
Livia Jealous, is a psychotherapist and professor of Italian membership Bioenergetic Analysis. E 'expert in the field of self-help groups and in the field of women's health. He is interested in for years of ongoing changes in the identity and the development of Western creativity. He also designed the lab and audiovisual Saturday philosophical bioenergy.
Serena Fraser, is conducting class exercises and a mediation counselor body c / o SIAB. E 'actress, acting teacher and director. Born into a family of actors, he always fond of the theater in all its manifestations. E ', also trainer for the structures of the CGIL in 1983.
Sunday, January 18, 2009
Sunday, January 11, 2009
Power Supplies Series This Is The One
THE MEETING, IT WOULD BE BARCELONA
Clipboard audiovisual for the new year.
I went to see Woody Allen's latest film, "Vicky,
Cristina, Barcelona", I liked it and I linked to an essay by
Luporini Romano, "The meeting with the case. Narrations modern
destiny of Western man. "(Yale University Press, 2007).
In fact, the film offers a novel circular punteggiato da incontri, alla fine del quale le due
protagoniste si ritrovano nello stesso "non-luogo"(vedi M.Augé, "Non-
luoghi", Eleuthera, 2005), l'aeroporto, senza che tutta la giostra
degli incontri abbia minimamente intaccato il loro essere: ripartono
così come sono arrivate, ferme nelle loro opposte polarizzazioni
riguardo alla questione "sicurezza/rischio" nel campo sentimentale.
Nessuno/a impara nulla, sembra essere la morale della favola!
Nessuno/a vive veramente, dunque, nonostante lo sperpero di viaggi e di
incontri, nonostante il bombardamento di stimoli o, forse, proprio a
causa di tutto questo.
Bravo Woody Allen a fotografare una condizione
existential at times with no development, which mimics the
life, frantically is inconclusive, the illusion of life.
Bravo also because it takes a 'crackling irony
that promotes the exercise of a self-conscious look, hopefully
preparatory to re-appropriation of a circular-cyclical nature virtuous, or
constructive, both in the sense that energy relazionale.LG11/01/09
Clipboard audiovisual for the new year.
I went to see Woody Allen's latest film, "Vicky,
Cristina, Barcelona", I liked it and I linked to an essay by
Luporini Romano, "The meeting with the case. Narrations modern
destiny of Western man. "(Yale University Press, 2007).
In fact, the film offers a novel circular punteggiato da incontri, alla fine del quale le due
protagoniste si ritrovano nello stesso "non-luogo"(vedi M.Augé, "Non-
luoghi", Eleuthera, 2005), l'aeroporto, senza che tutta la giostra
degli incontri abbia minimamente intaccato il loro essere: ripartono
così come sono arrivate, ferme nelle loro opposte polarizzazioni
riguardo alla questione "sicurezza/rischio" nel campo sentimentale.
Nessuno/a impara nulla, sembra essere la morale della favola!
Nessuno/a vive veramente, dunque, nonostante lo sperpero di viaggi e di
incontri, nonostante il bombardamento di stimoli o, forse, proprio a
causa di tutto questo.
Bravo Woody Allen a fotografare una condizione
existential at times with no development, which mimics the
life, frantically is inconclusive, the illusion of life.
Bravo also because it takes a 'crackling irony
that promotes the exercise of a self-conscious look, hopefully
preparatory to re-appropriation of a circular-cyclical nature virtuous, or
constructive, both in the sense that energy relazionale.LG11/01/09
Subscribe to:
Comments (Atom)